Forgotten Gods #3: Telipinu’s Disappearing Act

Ancient Anatolia, Antiquity, Environmental Humanities

Today, the ancient Anatolian deity called Telipinu is, for most intents and purposes, a forgotten god. Though, there are admirable attempts to keep the tales that tell us about him and his divine colleagues alive for the modern day. Like the English renditions of a few Hittite poems for the fall 2025 issue of the literary magazine The Paris Review, translated by PhD-student Naomi Harris.1 One of these poems relates the disappearance of Telipinu, something the deity had a penchant for.2 What is interesting, however, is that much of the mythology concerning Telipinu emphasizes that he should not, under any circumstance, be forgotten – even if he was indeed lost and both heaven and earth had to be moved to find him again. Because, when Telipinu could not be found, ecological disaster was sure to follow. Today we are therefore going to talk about a god that emphatically should not be neglected by mortal creatures, from bees to human beings, but ultimately was.

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The Fascinating R-Stem in the Akkadian Language

Ancient Mesopotamia, Antiquity

Like every other cool person out there, I am of course fascinated by the minutiae of ancient languages. Especially the parts of these languages which still lay at least partly outside the grasp of our full comprehension can draw me into a scholarly book or article and leave me surprised that the sun is already gone when I finally look up – though living in the far north arguably makes this a bit less extraordinary… Today I want to share some of this enthusiasm with you by discussing a linguistic phenomenon that is still debated among contemporary scholars and of which some even say that it isn’t even real – the R-stem in the ancient Akkadian language.

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The Themes of My Favorite Video Games of 2025

Video Games

Like the previous year, I want to follow up last week’s list with my favorite albums of 2025 by discussing the themes of some of the better video games that were published in those same twelve months. And as was the case then, I am a bit apprehensive about doing so. You can read more of my deliberations by clicking here, but to summarize: while encountering music is nearly unavoidable in one’s daily life, video games appear to many as a distant, unvisited country.1 And when people do play them, it is often a very specific kind.2 The games that I discuss today were therefore selected because they tell stories which, I think, appeal to every reader imaginable. What’s more, the games themselves are – if I can be candid for a moment – more or less an excuse to talk about certain subjects within the humanities that are a good fit for Bildungblocks but would otherwise not suffice to fill an entire blog by themselves.

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My Favorite Albums of 2025

Music

The year 2025 has come and gone. For some it may have appeared like a breeze as they wonder where those 365 days actually went, while others struggled to get through the weeks and were happy to see the end of it. For those following the record industry, it was also a very long year. Luckily, this was not because of some kind of struggle, but because of the sheer quantity of quality output! As such and in order to hide my hesitation when it comes to making hard choices, I propose to instate a new tradition at Bildingblocks… To let the number of albums that I discuss at year’s end match the last two digits of the date. Totally coincidentally, this means that I can discuss twenty-five albums today, instead of last year’s twenty.

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Three Hundred Spartans and One Metaphor

Ancient Greece, Antiquity, Herodotus

If there is one occurrence that many people remember from antiquity, it is that three hundred soldiers from the ancient Greek city-state of Sparta once stood against the much larger army of the Persian king Xerxes.1 This is partly the result of its many depictions in pop culture, including the well-known fantastical – and fairly problematic – retelling in the movie 300 from 2006.2 The second Greco-Persian war, which occurred in the beginning of the fifth century BCE and that saw the aforementioned heroics of the Spartans, was a time of military savvy, masterful intrigue, and uncountable tears. But today I want to focus on one specific aspect, a single word even. I am concerned here with a term that the ancient historian Herodotus uses to describe the thought process of the Spartan king Leonidas I when the latter send most of the other Greeks soldiers away – yes, there were other Greeks present! – and prepared his Spartans for their last stand. That word is τάξις (taxis).3 And Herodotus’ metaphorical use of what ultimately was just a mere technical term, can inform us about the martial ideologies of Greece in that time.

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Excel in Ancient Mesopotamia

Ancient Mesopotamia, Antiquity, Archeology

You know what is useful in any kind of research endeavor? In addition to the expected copious amounts of caffeine, a disregard for the fact that your life is finite, and the merciful existence of takeaway food services while working overtime, that is.1 Tables! And this got me thinking: when did tabular accounts appear in ancient Mesopotamia? Or in other words: was there a cuneiform alternative for programs like Excel and Calc, that are so ubiquitous today? As with many questions we try to answer here at Bildungblocks – and one of the primary reasons that these blogs are often published irregularly – this matter turned out to be way more complicated then you would expect at first. But one could argue, if only for my own sanity, that such complications make a topic merely more intriguing than it already is.

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You Can’t Outrun the Clock: A Look at Pink Floyd’s “Time”

Music

Music can say more than words.1 And regularly, the words that are used in songs are able to communicate so much that a piece of narrative literature of equivalent length simply cannot convey. During the week-end I read a short story where this characteristic of music was used to great effect. In the wholesome tale “Let All the Children Boogie” by Sam J. Miller, references to the music and lyrics of David Bowie and Iggy Pop were employed with great effect to communicate dreams, emotions, and hope.2 The change of perspective on the world and life that this brief adventure of two young outcasts in the early nineties can engender in the reader was, according to my opinion, in large part due to the use of those musical references. And such a change of perspective – including some of the same themes! – can also occur when listening to our topic of this week’s blog, the song “Time” by the British rock band Pink Floyd from their acclaimed as well as wildly successful 1973 album The Dark Side of the Moon.3

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Firearms as Accessories in Renaissance Italy

European Renaissance

Sometimes I read something so fascinating, that I immediately want to write a blog about it and share my new interest with the digital world. But me being myself, I often run into practical considerations that are likely to delay such a project. For instance, I have to look into the broader scholarly literature to be certain that I present you with a proper overview of the learned consensus on a topic. And with new interests, this is hindered by the fact that even I cannot be an expert in all humanities – however hard I may try. So this week, in the middle of summer, we are going to talk about a subject that first grabbed me last Christmas: firearms as accessories in Renaissance Italy.

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Forgotten Gods #2: Where Did Marduk Go?

Ancient Mesopotamia, Antiquity

You know what is a sobering fact which keeps me with both my feet firmly on the ground? That there was once a time – unbelievable but true – in which people did not venerate the great and ancient Mesopotamian god Marduk. And you know what’s even more indicative of the mere relative importance of everything? The fact that at one point people stopped venerating Marduk! Today we are going to look at the rise and fall of this imposing Mesopotamian god, of whom no-one in the second millennium BCE would have believed that their prominence could ever diminish.1 But nothing lasts forever and, as one age follows another, even the gods may become a mere historical footnote.Welcome to the second part of my always uplifting series on forgotten gods!

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Circumventing Silences in the Archives of Renaissance Florence

European Renaissance, Methodology

We all know that one scene from many adventure movies. The charismatic explorer, wizened wizard, or inquisitive secret agent – often, but not always, accompanied by a variety of plucky sidekicks and love interests – visits an archive to further their quest. And almost without exception, though seldom without great effort, they do find the log of a person from the (distant) past – preferably a family member or ancestor of one of the available main characters – which tells them exactly what they needed to know.1 Such plot devices may be necessary to help a film move along and they regularly serve relevant themes of ancestry, cooperation, and responsibility. But if we want to understand the past through actual archives, we often learn as much from what the documents and objects therein do not tell us as from what do tell. And the same, rather uncinematically approach will help us today to get to know more about the Italian city of Florence during the European Renaissance.

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